The Killers Essay Example for Free

The Killers EssayHemingway is a great figure of the lost multiplication , like Fitzgerald, S. Anderson, G. Stein, S. Lewis F. Scott Fitzgerald wrote all gods dead, all wars fought, all faiths in existence shaken to describe the feeling the young intellectuals had in this years. The writers of the lost generation added their own feelings of loss and unsuccessful person to the previous tradition of pragmatism.The short twaddle The killers by Hemingway is representative of this realism and those feelings of loss and failure, because it expects that Summit (the townsfolk w here the action takes place) and its inhabitants atomic number 18 part of a sterile and destructive world without both god or powers above. How and why is this short story representative of this lost generation ? I)Realism The setting the atmosphere the setting awaits to be a commonplace comparison with Ed.Hopperss painting Nighthawks, representing a similar place a in truth common lunch counter, in an American town, Summit artificial atmosphere with street lightsome, arc light in the street the colours seem to be absent of the scene this is a sort of fateful ashen scene, with the darkness of the night and the artificial white light, the black overcoat and the face was small and white) the town seems to be a dead town, with a great impression of loneliness The mundanity every liaison is prosaic for instance, the carte du jour a roast pork t terminuserloin with applesauce and mashed potatoes or ham and eggs, bacon and eggs, liver rand bacon, or a steak the language is contaminated by this mundanity, it reflects the disenchantment of the world The time -the time is passing minute after(prenominal) minute without real action its five oclock , it was a quarter last(prenominal) six , it was twenty past six , at six fifty-five, the hands of the clock tag s nevertheless oclock and then five inutes past seven -the rhythm of the story could be comparated with th e rhythm of blues music it is very slow, without any real action, filled by a cadaverous conversation The violence in the contact between the characters -violence is omnipresent, subjacent even in the dialogs between the characterswhat the brilliance do you put it on the card for, oh, to hell with the clock, youre a pretty brilliant boy, arnt you ? and then well, youre non -the cook and Nick are tied up I got them tied up like a couple of girl friends in the convent, the killers use arms Al .. with the muzzle of a sawed-off shotgun resting on the ledge II)An everyday tragedy An imposed deportment -every action is imposed by a sort of automatic reflex, for instance Ole Andreson is always on the get by Im through with all that running around, the inhabitants of the city all come here and eat the big dinner everyday, Ole Andreson comes here to eat every night at six oclock -the characters are locked in the routine The passivity of the characters the characters are all p assive they do not react when the killers come in the restaurant, they accept to be tied up without any form of rebellion, at the end of the story, the cook says I dont even listen to it when Nick is telling George nigh his visit to Ole, George says you better not think about it, Nick wants to get out of this town -Ole bear lying on his bed looking at the seawall while he is sure to be killed, he does not react and secure says after a while Ill make up my mind to go out, when going out means to be killedThe characters are failures -the killers are exposit and by in that respect garments a derby hat and a black overcoat tied across the chest, they were dressed like twins, both wear overcoats too tight for them, they are about the same size it is as f all their nature could be locked in their look -Al is described with only two features his face was small and white and he had tight lips, max is not described -They are seen as a vaudeville team, a sort of comic distich (l ike laurel Hardy for instance), which is far away from the representation of killers, they are too much real that they seem unreal -Ole, who was a boxer, is now seen as an awfully nice man, hes just as gentle says Mrs Bell all the characters seems to be failures III)Adversity of the world The loneliness the town, Summit, is a sort of type of loneliness despair the death is omnipresent, even in a subjacent form for the killers, the death of a man is just a simple action (detachment) what are you going to kill him for, then ? and the issue were killing him for a friend. Just to oblige a friend, he never even seen us for ole, life seems to be worse than death he has no passion, he keeps looking the wall when Nick says he is going to be killed by two men (total failure to act)The characters seem to be interchangeable -as seen before, the characters seem to be interchangeable they are devoid of personality, there is a play on resemblance / dissemblance (the 2 killers loo k alike even if they are different) -Ole does not look at Nick, hardly is always looking to the wall (it is as if Nick as lost his humanity for Ole) -Mrs Bell is intricate with Mrs Hirsch A refuge in the language ? in that story, it seems that language is only used as a refuge for the characters they speak only to fill the time passing by (inanity of conversation), to forget the loneliness of the place.. -when Al says shut up you talk to goddam much, Max answers well, I got to keep bright boy amused or we have to keep amused, havent we ? it is as if language was used only to fill a gap -the words are used two or three time for instance, well, good night, I guess or its a hell of a thing and its an awful thing (it is like a dialog of the deaf) A disenchanted world the story stop short there is no suspense, the killers have told George they were about to kill Ole, but they do not the title the killers announced a story of gangsters, of killers, but there is finally no murd er, therefore the end of the story is quite flat It is as if nothing could move the characters (Ole resolved to death, immutability of the characters) Summit and its inhabitants seem to be a sterile and destructive world deserted by God, accomplishing a destiny without any form of rebellion Conclusion The short story The killers is quite representative of the writing of the lost generation here, it seems that human beings have been abandoned by God, in an hostile world, where action is doomed to failure. Men are resolved to death, since they cannot do anything to change life. Ole Anderson, destined to death, keeps lying on his bed, unable of any action, saying there aint anything to do, and will surrender to his enemies it is as if life were worse than death for him. Hemingway uses the realism to show how much life is insipid and bland for those men, and describes the everyday tragedy they live in and the mischance of the world.