'Male Perspective of Love in Literature Essay\r'

'Comp ar and direct contrast the ways writers use form, grammatical construction and language to salute the priapic persuasion of complete in Shakespeargon’s ‘Othello’, Fitzg dateld’s ‘The capital Gatsby’ and the Poetry of Robert Br sustaining. The manly person perspective of love is interesting to look at when face for at different texts in comparison. Although they have been write in different literary movements anthropoid characters draw very alike attitudes and reflect the same aspects towards love and births.\r\nThis essay concerns the male perspective of love, more everywhere it is burning(prenominal) to analyse the factors that cause these adaptations of love that the writers have created for the male characters. For utilization a reoccurring perspective is the take aim for command everyplace their material otherwise for standard in Shakespe be’s Othello, Othello establishes his authorization over Desd emona by murdering her, alike in the poetry of Robert cook his verse forms ‘My Last Duchess’ and ‘Porphyria’s Lover’ where they besides kill their lovers in parliamentary law to reinforce their male empowerment over their p finessener.\r\nIn The Great Gatsby Daisy’s partner Tom displays his dominance over Daisy when he abuses her by punching her in the face. The male perspective of love is understood when looking at the theories of causation. As stated oneness of the most vainglorious male perspective of love conveys the fatality and relish to be dominant over their partner. In the Shakespe arean play ‘Othello’ set in 16th vitamin C Venice looks at the idea of unconditional love in spite of the fact that Othello and his love Desdemona are from two all told in all different orbs. Othello is a Moore which refers to the Islamic †Arabic inhabitants of northeasterly Africa, whereas Desdemona is a Venetian.\r\nContex tually their love for one a nonher(prenominal) would be seen as highly controversial and taboo, barely patronage Desdemona insists that she marries Othello. ‘To you, preferring you before her father, so a great deal I challenge that I may profess delinquent to the Moor my lord. ’ Here Desdemona recognises that her duty is divided, however her silver dollar with her father shows how willingly loyal she is. A literary interpretation of Othello’s character would signify that Othello feels the contend to dominate over Desdemona due to his much hazard as a character, directly associated with the idea that he is not of the Venetian culture.\r\nLeavis views that Othello is a ‘weak and thick character’ that doesn’t understand himself or Desdemona, Othello is an outsider to the Venetian community where as Cassio isn’t, hence his insecurities structure between Cassio and Desdemona when Iago suggests that they are having an af reasonable unneurotic. As a result Othello may realise that to keep back his prestige and respect as a soldier he must justify what has been done on him by killing Desdemona.\r\nTo some extent I do agree more with the abbreviation that Leavis’ creates as looking within the context of the time although Othello and his achievements have been note expensey he evidently is a cultural and racial outsider. In addition to insecurities that Othello it is too a porta that Othello is threatened by Desdemona’s informal nature, as a character she is very flirtatious and congenial with most of Othello’s comrades including his lieutenant Cassio, whom has suspicion of dormancy with his wife. Desdemona’s supposed infidelity and unfaithfulness to her save has caused her death.\r\nIn the patriarchal Venetian society, women were told to remain gentle and meek at all multiplication. However, in ‘Othello’, the women converse independence, though in private, and Emilia, Desdemona’s maid, presents us with womens rightist opinions when she warns that â€Å"the ills we do, their ills instruct us so”. Feminist readings of ‘Othello’ suggest that even though women are shown to be submissive, induceions and are even called ‘ cocottes’, when they do express their feelings and disobey their husband, as is the case with Emilia when she tells Othello of the handkerchief and Iago, she is killed.\r\nThis, similar to what happened to the Duchess and Desdemona, shows that some(prenominal) sign of independence from their husband is unwelcome and they are quickly eliminated. This demonstrates my argument that destruction is caused by the male need to control the womenThis could be seen as a threat to Othello as not only is he a cultural outsider; his wife could be potentially having an affair with another man who is of the culture.\r\n additionally Desdemona is of a higher class placement than Othello, which in like manner contri just nowe to his insecurities this golf links with the impertinent ‘The Great Gatsby’ by Fitzgerald this text withal portrays various conflict issues with class, for example when Daisy proclaims that she would sift of be with her unfaithful husband quite than Gatsby. on that floor are some very unafraid comparisons between Othello and some other texts also for example the poem Porphyria’s Lover and My Last Duchess by Robert Browning presents similar male perspectives of love.\r\nPorphyria’s Lover, the Duke and Othello all feel that they are losing control of their significant other and the power in the relationship. Feminist interpretations would suggest that that these characters are somehow threatened by the informal nature of their partner, they feel that they should be the dominant in the relationship therefore to maintain that level of power they need so they kill their lovers, it would also indicate that the male character s of these texts are highly risky.\r\nFor example Desdemona’s sexual identity is a threat to Othello’s status, if he kills Desdemona however he can still maintain his prestige without fear of embarrassment [PEE]. This is also similar to the poem My Last Duchess the duke was also threatened by the sexual nature of his wife [PEE]. There are also some comparisons between Othello and the Great Gatsby; they twain have similar conflicting issues with class and status.\r\nFor example Desdemona is of higher status than Othello, this also adds to Othello’s insecurities as not only is Desdemona very flirtatious, she is also very plastered. PEE] Othello is also warned from the beginning of the play by Brabantio, Desdemona’s father to be cautious of her [PEE] Another interpretation fed up(p)e by Bradley who rejects this view and presents an overwhelming substantiative analysis of Othello whom he sees as relatively guileless for his actions. On the other hand B radley suggests that it is indeed the artful language used by Iago that had caused Othello to develop these insecurities that at last lead to his downfall.\r\nThis theory sees evident in act as 3, motion picture 3 also known as ‘the corruption scene’. This is the scene where the initial handling begins, Iago begins to manipulate Othello firstly by making that he is psyche fiducial and reliable therefore he forms a friendship with Othello. Iago had been turned down from the grapheme as Othello’s lieutenant which has explained why he may have some resentment towards Othello; however despite this there is no clear quality to why Iago manipulates Othello in such a way.\r\n nearly people have interpreted this as a homosexual affection that Iago shows for Othello in which he is desirous of the love Desdemona and Othello have for each other, therefore he convinces Othello to ultimately kill her in attempt for a chance with Othello. One such interpretation is that Iago is do by jealousy of Othello’s love for Desdemona, and is angry by a repressed homosexual desire. There is a hint of this in Act 3, Scene 3, as Iago, pledging his loyalty to his general, tells Othello, â€Å"I am your own forever”.\r\nIago’s chosen word’s perhaps express more than soldierly devotion, and possess a distinctly romantic tone not too dissimilar to the language of a conjugal union vow However in some aspects it would seem clear that Othello has already chosen to kill Desdemona almost out of his own will, nothing that anyone says will spring a difference at all. ‘Yet she must die, else she’ll betray more men’. The dialog is to the full of legalistic language as if Othello has tried her and is now sentencing her.\r\nThe novel The Great Gatsby is set during the American Jazz suppurate of the early 1920’s, this was a time jazz medicine became increasingly popular and play a significant part in wider cult ural changes during this period. This was also a time where the American Dream also played an important part in people’s lives; people would immigrate to America in frame to achieve this ‘American Dream’. The idea of unrequited love is a prominent theme.\r\nNarrated by notch Carraway the recital tells of Jay Gatsby’s quest for Daisy Buchanan, Nick writes from Gatsby’s point of view as he is penning the novel two years after the story actually happens, so much Gatsby’s point of view is the point of view from Nick, although a trustworthy third party he can sometimes also be unreliable. Nick is determined to suck in himself seem trustworthy, claiming to be â€Å"one of the few in force(p) people that [he has] ever known”. He also claims not to be judgemental, yet he tells Gatsby that â€Å"They’re a rotten crowd….\r\nYou’re worth the whole damn bunch put together”. This line shows Nick’s judgemental side, proving him to be an dishonorable narrator. Gatsby’s perspective of love is that in bon ton for him and Daisy to unite he must change, therefore he gained the wealth and prestige in parliamentary procedure to entice her heart, however Daisy is now married with Tom Buchanan an amphetamine class socialite and had married daisy even though she had promised herself to Gatsby, despite that Tom is unfaithful to her.\r\nLike Othello and the protagonists of ‘My Last Duchess’ and ‘Porphyria’s Lover’ Tom Buchanan is also the self-proclaimed ‘alpha-male’ and feels like he too needs to establish his authority over his love interests for example when he strikes Myrtle in the mouth for speaking ill of his and Daisy’s relationship. The Great Gatsby also shows a portrayal of love and capital Gatsby gained his wealth illegally by selling alcoholic drink in an era when alcohol was prohibited. Dishonesty becomes his nature, displ ayed when he tells Nick that he is â€Å"the son of some wealthy people in the Midwest” and lies about world â€Å"brought up in America, but, educated in Oxford”.\r\nDaisy’s immorality is also evident when she allows Gatsby to take the charge for her crime, an act that ultimately results in his death. Unlike Othello and the Browning poetry which was written in a much different era to Gatsby, the novel portrays contrasting perspectives of love. such(prenominal) as going after your lover, and changing yourself rather than trying to change your partner. The Browning poetry was also written in a similar era to Othello, and therefore the correlation between love and dominance are a reoccurring aspect.\r\nFor example in the poem ‘My Last Duchess’ the poem is one huge monologue to the audience about a Duke talking to a painter about his last Duchess like Othello the womanly protagonist is portrayed someone of a sexual and flirtatious nature. Ingersoll describes the character of the Duke as a prevail character with strong will and purpose but as a narcissist who has an insecure need to construct a self-important image of himself which could be seen as a similar interpretation to Leavis’ analysis of Othello.\r\nThe Duke is also portrayed by browning as someone who has complete desire to gain over control over every aspect in his life for example all that remains of the duchess is a painting concealed under a pull back curtain, ultimately the duke decided who sees her and who doesn’t, or if she is even showed at all. The duke shows satisfaction in this by almost bluster about how he was able to control this teenage girl. Tucker argues that not only does the power request him pleasure, but by reducing the Duchess to a painting, he reduces her to something he can understand and in turn, control.\r\nThe male need to control women by reducing them to ‘art’ is also visible in ‘Othello’ when he asks, â€Å"Was this fair paper, this most goodly book,/ Made to write â€Å"whore” upon? ”, referring to Desdemona and her suspected infidelity. The poem ‘Porphyria’s Lover’ also portrays a similar message; this is also a monologue that is violent and abrupt: a on the job(p) man, the lover of a middle class girl, murders her when she comes to his cottage, strangling her with her hair. At the end of the poem he sits, evidently calmly, with her corpse in some kind of counterfeit embrace.\r\nLike Gatsby and Othello the protagonist is once again threatened by the idea of their significant other having some sort of control over them. Ingersoll believes that â€Å"In his own mad fashion, the Lover has read that text in order to escape being positioned as ‘feminine’ i. e. A loved bearing to be abandoned again as she may have many times before. He reaffirms her ‘feminine’ position as one too weak to break those ‘va iner ties’ to a world in which he can have no presence. Torn between moments of passionate possession of her and essential abandonment or ‘loss’, he has hit her n order to turn her into a fetishistic object which can never leave”.\r\nThis also links with Gatsby as they both deal with conflict issues regarding class, however Daisy would never have a relationship with someone that is of a lower class than her, however the pistillate protagonist against all odds rejects this sociological theory and has relations with a man of lower status regardless, however like Othello this causes the male protagonists to become insecure and weak in their relationship, therefore to restore that order they get rid of their loved ones completely. Stuck on conclusion.\r\n'