Read Act I of the play, then go to the naming and listing at least two examples for each of the delivery patterns you pitch found in Act I. Give the depiction and lineage number where you find each example. 1. Unusual sacred scripture arrangement I could a tale unfold (I, v) In my minds eye (I, ii) It can non come to good (I, ii) It started same(p) a red-handed thing (I, i) Leave her to heaven (I, v) More honoured in the permit out than the observance (I, iv) More in sorrow than in anger (I, ii) Neither a borrower, nor a lender be (I, iii) Not a mouse soul-stirring (I, i) O my oracular soul! (I, v) Something is rotten in the state of Denmark. (I, v) So untold for him (I, ii) There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy. (I, v) This too too solid flesh (I, ii) To thine induce self-importance be neat (I, iii) 2. Omissions Tis bitter cold (I, i) Tis accepted: tis true tis pity, Tis now struck twelve; get thee to bed, Franc isco (I, i) 3. linguistic process not quite our own (unusual words) That it should come to this! (I, ii) All is not well (I, ii) Frailty, thy soma is woman!
(I, ii) Give thy grammeghts no glossa (I, iii) I am sick at heart (I, i) tis = it is; ope = unresolved; oer =over; gi = give; neer = never; i = in; eer = ever; oft = a lot; a ~=he; een = even 1. Second someone pronouns: thou, thy, thine, ye 2. Verb inflection: second person thou + a-t, -st, or -est = thou art, thou seemest; may be undertake: thou seemst third person he, she, it + add -eth =... If you need to ge t a full essay, order it on our website:
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